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Crowther noted its "devious convolutions of the plot", and praised the screenplay quality as "of the best" and the cast's performances as "all of the first order".

The trade paper Variety commended the film's "combination of fine performances, engrossing story and neat direction" and the "variety of moods, action, suspense, comedy and drama that makes Casablanca an A-1 entry at the b.

Some other reviews were less enthusiastic. The New Yorker rated it only "pretty tolerable" and said it was "not quite up to Across the Pacific , Bogart's last spyfest".

According to Warner Bros. In the seven decades since its production, the film has grown in popularity. Murray Burnett called it "true yesterday, true today, true tomorrow".

It was so popular that it began a tradition of screening Casablanca during the week of final exams at Harvard University , which continues to the present day.

Other colleges have adopted the tradition. Todd Gitlin , a professor of sociology who had attended one of these screenings, has said that the experience was "the acting out of my own personal rite of passage".

By , Casablanca was the most frequently broadcast film on American television. On the film's 50th anniversary, the Los Angeles Times called Casablanca ' s great strength "the purity of its Golden Age Hollywoodness [and] the enduring craftsmanship of its resonantly hokey dialogue".

Bob Strauss wrote in the newspaper that the film achieved a "near-perfect entertainment balance" of comedy, romance, and suspense.

According to Roger Ebert , Casablanca is "probably on more lists of the greatest films of all time than any other single title, including Citizen Kane " because of its wider appeal.

Ebert opined that Citizen Kane is generally considered to be a "greater" film, but Casablanca "is more loved. Critic Leonard Maltin considers Casablanca "the best Hollywood movie of all time.

Rick, according to Rudy Behlmer , is "not a hero The other characters, in Behlmer's words, are "not cut and dried" and come into their goodness over the course of the film.

Renault begins as a collaborator with the Nazis who extorts sexual favors from refugees and has Ugarte killed. Even Ilsa, the least active of the main characters, is "caught in the emotional struggle" over which man she really loves.

By the end, however, "everybody is sacrificing. A remembrance written for the 75th anniversary published by The Washington Free Beacon said, "It is no exaggeration to say Casablanca is one of the greatest films ever made," making special note of the "intellectual nature of the film" and saying that "while the first time around you might pay attention to only the superficial love story, by the second and third and fourth viewings the sub-textual politics [of communitarianism and anti-isolationism] have moved to the fore.

A few reviewers have had reservations. To Pauline Kael , "It's far from a great film, but it has a special appealingly schlocky romanticism Casablanca is a very mediocre film.

The site's critics consensus reads: "An undisputed masterpiece and perhaps Hollywood's quintessential statement on love and romance, Casablanca has only improved with age, boasting career-defining performances from Humphrey Bogart and Ingrid Bergman.

Eighty-five of them read it; of those, thirty-eight rejected it outright, thirty-three generally recognized it but only eight specifically as Casablanca , three declared it commercially viable, and one suggested turning it into a novel.

Many subsequent films have drawn on elements of Casablanca. Passage to Marseille reunited actors Bogart, Rains, Greenstreet, Lorre and director Curtiz in , [] and there are similarities between Casablanca and another later Bogart film, To Have and Have Not also Indirectly, it provided the title for the neo-noir film The Usual Suspects.

The film Casablanca was a plot device in the science-fiction television movie Overdrawn at the Memory Bank , based on John Varley 's story.

It was referred to in Terry Gilliam 's dystopian Brazil Because of its November release, the New York Film Critics decided to include the film in its award season for best picture.

Casablanca lost to In Which We Serve. As Bogart stepped out of his car at the awards ceremony, "the crowd surged forward, almost engulfing him and his wife, Mayo Methot.

It took 12 police officers to rescue the two, and a red-faced, startled, yet smiling Bogart heard a chorus of cries of 'good luck' and 'here's looking at you, kid' as he was rushed into the theater.

When the award for Best Picture was announced, producer Hal B. Wallis got up to accept, but studio head Jack L. Warner rushed up to the stage "with a broad, flashing smile and a look of great self-satisfaction," Wallis later recalled.

Casablanca had been my creation; Jack had absolutely nothing to do with it. As the audience gasped, I tried to get out of the row of seats and into the aisle, but the entire Warner family sat blocking me.

I had no alternative but to sit down again, humiliated and furious Almost forty years later, I still haven't recovered from the shock.

In , the film was one of the first 25 films selected for preservation in the United States National Film Registry as being deemed "culturally, historically, or aesthetically significant".

The film also ranked at number 28 on Empire ' s list of the Greatest Movies of All Time, which stated: "Love, honour, thrills, wisecracks and a hit tune are among the attractions, which also include a perfect supporting cast of villains, sneaks, thieves, refugees and bar staff.

But it's Bogart and Bergman's show, entering immortality as screen lovers reunited only to part.

The irrefutible [ sic ] proof that great movies are accidents. The film has been selected by the American Film Institute for many of their lists of important American films:.

Casablanca has been subjected to many readings; Semioticians account for the film's popularity by claiming that its inclusion of stereotypes paradoxically strengthens the film.

Thus Casablanca is not just one film. It is many films, an anthology. Made haphazardly, it probably made itself, if not actually against the will of its authors and actors, then at least beyond their control.

And this is the reason it works, in spite of aesthetic theories and theories of film making. For in it there unfolds with almost telluric force the power of Narrative in its natural state, without Art intervening to discipline it When all the archetypes burst in shamelessly, we reach Homeric depths.

Eco also singled out sacrifice as a theme, "the myth of sacrifice runs through the whole film". Koch also considered the film a political allegory.

Rick is compared to President Franklin D. Roosevelt , who gambled "on the odds of going to war until circumstance and his own submerged nobility force him to close his casino partisan politics and commit himself—first by financing the Side of Right and then by fighting for it".

The connection is reinforced by the film's title, which means " white house ". Harvey Greenberg presents a Freudian reading in his The Movies on Your Mind , in which the transgressions which prevent Rick from returning to the United States constitute an Oedipus complex , which is resolved only when Rick begins to identify with the father figure of Laszlo and the cause which he represents.

Rick, Herr Rick and boss as evidence of the different meanings which he has for each person. A subsequent two-disc special edition, containing audio commentaries, documentaries, and a newly remastered visual and audio presentation, was released in A Blu-ray release with new special features came out on December 2, ; it is also available on DVD.

It was eventually released as a stand-alone Blu-ray in September It includes a brand-new 4K restoration and new bonus material.

Almost from the moment Casablanca became a hit, talk began of producing a sequel. One titled Brazzaville in the final scene, Renault recommends fleeing to that Free French-held city was planned, but never produced.

Since then, no studio has seriously considered filming a sequel or outright remake. Stories of a Casablanca remake or sequel nonetheless persist.

In , the Daily Mail reported that Madonna was pursuing a remake set in modern-day Iraq. The book met with little success. There have been two short-lived television series based upon Casablanca , both sharing the title.

Presents in hour-long episodes from to , is a Cold War espionage program set contemporaneously with its production, and starred Charles McGraw as Rick and Marcel Dalio , who played Emil the croupier in the movie, as the police chief.

There were several radio adaptations of the film. Two other thirty-minute adaptations were aired, one on Philip Morris Playhouse on September 3, , and the other on Theater of Romance on December 19, , in which Dooley Wilson reprised his role as Sam.

Julius Epstein made two attempts to turn the film into a Broadway musical , in and , but neither made it to the stage.

Casablanca was part of the film colorization controversy of the s, [] when a colorized version aired on the television network WTBS. I did it because I wanted to.

All I'm trying to do is protect my investment. The Library of Congress deemed that the color change differed so much from the original film that it gave a new copyright to Turner Entertainment.

When the colorized film debuted on WTBS, it was watched by three million viewers, not making the top-ten viewed cable shows for the week.

Although Jack Matthews of the Los Angeles Times called the finished product "state of the art", it was mostly met with negative critical reception.

Casablanca in color ended up being much blander in appearance and, overall, much less visually interesting than its predecessor.

Several unfounded rumors and misconceptions have grown up around the film, one being that Ronald Reagan was originally chosen to play Rick.

This originated in a press release issued by the studio early on in the film's development, but by that time the studio already knew that he was going into the Army, and he was never seriously considered.

Studio records make clear that Wallis was committed to Bogart from the start. Another story is that the actors did not know until the last day of shooting how the film was to end.

Koch later acknowledged:. When we began, we didn't have a finished script Ingrid Bergman came to me and said, 'Which man should I love more?

However, while rewrites did occur during filming, Aljean Harmetz's examination of the scripts has shown that many of the key scenes were shot after Bergman knew how the film would end; any confusion was, according to critic Roger Ebert , "emotional", not "factual".

The film has several logical flaws, one being the two "letters of transit" that enable their bearers to leave Vichy French territory.

Weygand had been the Vichy delegate-general for the North African colonies until November , a month before the film is set.

But de Gaulle was the head of the Free French government in exile , so a letter signed by him would have provided no benefit.

In the same vein, though Laszlo asserts that the Nazis cannot arrest him, saying, "This is still unoccupied France; any violation of neutrality would reflect on Captain Renault," Ebert points out, "It makes no sense that he could walk around freely.

He would be arrested on sight. According to Harmetz, the usual route out of Germany, at least for people in the film industry, was not via Morocco and Lisbon but via Vienna, Prague, Paris and England.

Only the film's technical adviser, Robert Aisner, traced the path to Morocco shown in the film's opening scene.

A line closely associated with Casablanca —"Play it again, Sam"—is not spoken in the film. Play ' As Time Goes By '. Play it! From Wikipedia, the free encyclopedia.

Theatrical release poster by Bill Gold. Julius J. Epstein Philip G. Epstein Howard Koch. Archived from the original on August 11, Retrieved August 14, British Board of Film Classification.

December 17, Archived from the original on September 21, Retrieved September 20, Box Office Mojo. Retrieved October 14, Chicago Sun-Times.

Archived from the original on February 28, Retrieved March 18, Vincent's Casablanca. Archived from the original on April 30, Retrieved June 11, Frank Miller: "There was a scene planned, after the ending, that would have shown Rick and Renault on an Allied ship just prior to the landing at Casablanca, but plans to shoot it were scrapped when the marketing department realized they had to get the film out fast to capitalize on the liberation of North Africa.

Elle Canada. Archived from the original on September 27, Retrieved December 1, August 4, Archived from the original on October 3, MSN Entertainment Canada.

Archived from the original on April 12, Archived from the original on January 12, North Jersey. Retrieved April 15, Sky News.

There is a scene about halfway through the movie Casablanca that has become commonly known as 'The Battle of the Anthems' throughout the film's long history.

Victor Lazlo, the leader of the French Resistance, cannot stand this act and while the rest of the club stares appalled at the Germans, Lazlo orders the band to play 'Le Marseilles sic?

This in turn, inspires the whole club to begin singing and the Germans are forced to surrender and sit down at their table, humbled by the crowd's dedication.

This scene is a turning point in the movie, for reasons that I leave to you to discover. As I watched this movie again tonight for what must be the th time, I noticed there was a much smaller scene wrapped inside the bigger scene that, unless you look for it, you may never notice.

Yvonne, a minor character who is hurt by Rick emotionally, falls into the company of a German soldier. In a land occupied by the Germans, but populated by the French, this is an unforgivable sin.

She comes into the bar desperately seeking happiness in the club's wine, song, and gambling. Later, as the Germans begin singing we catch a glimpse of Yvonne sitting dejectedly at a table alone and in this brief glimpse, it is conveyed that she has discovered that this is not her path to fulfillment and she has no idea where to go from there.

As the singing progresses, we see Yvonne slowly become inspired by Lazlo's act of defiance and by the end of the song, tears streaming down her face, she is singing at the top of her voice too.

She has found her redemption. She has found something that will make her life never the same again from that point on. Basically, this is Casablanca in a nutshell.

On the surface, you may see it as a romance, or as a story of intrigue, but that is only partially correct.

The thing that makes Casablanca great is that it speaks to that place in each of us that seeks some kind of inspiration or redemption.

On some level, every character in the story receives the same kind of catharsis and their lives are irrevocably changed.

Rick's is the most obvious in that he learns to live again, instead of hiding from a lost love. He is reminded that there are things in the world more noble and important than he is and he wants to be a part of them.

Louis, the scoundrel, gets his redemption by seeing the sacrifice Rick makes and is inspired to choose a side, where he had maintained careful neutrality.

The stoic Lazlo gets his redemption by being shown that while thousands may need him to be a hero, there is someone he can rely upon when he needs inspiration in the form of his wife, who was ready to sacrifice her happiness for the chance that he would go on living.

Even Ferrai, the local organized crime leader gets a measure of redemption by pointing Ilsa and Lazlo to Rick as a source of escape even though there is nothing in it for him.

This is the beauty of this movie. Every time I see it and I have seen it a lot it never fails that I see some subtle nuance that I have never seen before.

Considering that the director would put that much meaning into what is basically a throw away moment not the entire scene, but Yvonne's portion speaks bundles about the quality of the film.

My wife and I watched this movie on our first date, and since that first time over 12 years ago, it has grown to be, in my mind, the greatest movie ever made.

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Company Credits. Technical Specs. Plot Summary. Plot Keywords. Parents Guide. External Sites. User Reviews. User Ratings. External Reviews.

Metacritic Reviews. Photo Gallery. Trailers and Videos. Crazy Credits. Alternate Versions. Rate This. A cynical American expatriate struggles to decide whether or not he should help his former lover and her fugitive husband escape French Morocco.

Director: Michael Curtiz. Writers: Julius J.

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