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Learn more. Once you select Rent you'll have 14 days to start watching the movie and 48 hours to finish it.

Can't play on this device. Check system requirements. Available on Xbox One. Mobile device. Xbox Description Spectacular fight scenes and swordplay capture the spirit of the classic franchise in this thrilling live-action adaptation.

Additional information Studio Anime. The relationship of Kenshin and Kaoru, of course, had to be diluted to the bare minimum to give Kenshin the motivation to go forward it was already diluted in the source material.

All in all, the filmography is superb, the casting is spot on, the story adaptation was very competent to compress a very complex source material.

If you're already a fan of the series, you will not be disappointed. If you're new to the series, this could motivate you to go read the original.

Kenshin meets the thief Makimachi Misao Tao Tsuchiya that tries to steal his sakabato on the way to Kyoto and they stumble upon a boy that tells that his brother and his parents are in danger.

They find the trio murdered by Shishio's men and Kenshin defeats them in the nearby village.

Their sword fight stops when Kenshin's sakabato is broken and Shishio and his men go away. When Kenshin arrives at Kyoto, Misao asks whether he would like to go to a cheap inn.

Kashiwazaki Nenji Min Tanaka , who was the ninja Okina that worked for the Tokugawa shogunate, runs the place and teams up with Kenshin.

He seeks out the talented blacksmith Shakku Arai to repair his sakabato and finds that he is dead. Arai's son Keiku does not help Kenshin, but when the evil Sawagejo Cho Ryosuke Miura kidnaps his baby, he calls Kenshin to save his son and gives him a new sakabato.

Kenshin defeats the Shishio's warrior and he is arrested by the police. Soon Hajime and Kenshin learn that Shishio intends to burn Kyoto down and they prepare the defense of the town.

Is Sawagejo Cho telling the truth? The story follows Kenshin and his friends from the first film and introduces a villain more evil than in the first film.

The sad moment is the unknown fate of the gorgeous and sweet Kaoru Kamiya. Every viewer and fan is certainly hoping she has survived.

My vote is ten. I believe its well done there's action when needs to be, but there are the dialogs that characterize Kenshin always, his reflections, his life, so you wont start with actions scenes fast in this movie.

SPOILERS If you seen the first movie you now that Aoshi doesn't appear so his background has changed but its very well adapted the change, the actor portraying Aoshi didn't look good for me for the part as one has seen Aoshi, but he did a good performance and the fight between him and the Oniwabanshu leader was nicely done.

There's a change but a good one between the first soujiro and kenshin fight. Also people would know it would be hard but Anji's, Hiko Seijuros character wont resemble the originals, but two Japanese like that i think would be hard, and Chos's last sword as everyone would expect has changed.

When I watch Japanese movies about samurais, ronins and ninjas, swordplay and kungfu are never the reason. Japanese sword fighting just CMI - it starts with a physical pose, one powerful swipe and the man is down and forever out.

How interesting can that be? But the Japanese puts more effort into the foreplay and the aftermath of the fights.

The motivation for the fight and the consequence are always examined in keen details. Rurouni Kenshin: Kyoto Inferno does that as well and I am glad to add that it ups the ante on the sword fights.

My knowledge of the universe of Rurouni Kenshin is pathetic. I have only watched an episode of the anime and decided it wasn't my thing, but I do know it is a cult series and a pop culture phenomenon.

I also missed the earlier film. So I really went into this like a blind Zatoichi samurai film lover and I just love it, all minutes of it.

First of all, this is the first part of a two parter. It feels like an elaborate setup for the ultimate Battle Royale and I am so hyped for the last part now.

Thank goodness it will hit our cinemas on 2nd October. Is this a complete film by itself? I know a lot of the critics' complaints are centered on which aspects - too long, too many characters, too much info to digest, and the pacing is not furious enough.

To some extent I do see where the complaints come from but I really didn't mind the duration. For a layman like me, I feel the director, Keishi Ohtomo told his story with great clarity, perhaps even too much clarity.

It does feel over-written especially if you already know the world of Kenshin. All the characters' motivations are clearly depicted.

There are indeed a myriad of characters on screen but I never have a feeling they are under-developed to the point of detriment.

Perhaps the only relationship I feel suffered is the love between Kaoru and Kenshin. Wished I had seen more of that because she looks great.

There is quite a bit of exposition of past events but IMO these scenes didn't feel tagged on for people who wandered into the cinema knowing nothing of the back stories.

I think Ohtomo was trying to cater to two camps of movie patrons - the fans and the curious ones like me and the wifey.

With regards to the pacing, I thought Ohtomo handled it well. When things start to sag, a fight scene comes in.

I absolutely love the exhilarating fight choreography and I am sure I have not seen anything like this in Japanese samurai films. For a movie that is about a cult manga, the titular characters all look and behave exactly like their manga counterparts.

The clothes, intricate set designs and modern soundtrack, all tied in together for a sumptuous feast. Finally, talking about boisterous audience, there were two PRC girls sitting in front of us.

At the final scene where yet a new character is introduced, the two girls screamed their heads off and arms gesticulated everywhere.

I looked at my wife feeling amused by their antics. Later on she told me who is the actor and I 'screamed' and 'flailed' my arms.

I'm not a huge fan of the Samurai genre. The blood, brutality and cruelty that inhabits many of the films in this genre is, at times, very disturbing.

It was a pleasant surprise therefore to encounter the Rurouni Kenshin series. These films follow the Samurai formula but depart from the norm in so much as they actively downplay the brutality in favour of a more peaceful, hopeful message.

The key character Rurouni Kenshin could best be described as a reformed Samurai. Rurouni has come to see the wastefulness of taking human life, choosing, instead, to take a less lethal approach to subduing the bad guys with the blunt edge of a double edged sword.

Of course, there are always a few genuinely vile villains and these are dispatched with the swords sharpened edge.

Its my understanding this is the second in the live, as opposed to animated, Rurouni Kehshin series of films. I watched the first and enjoyed it immensely so I decided to give the second a go.

This film is darker and more serious than its predecessor, possessing somewhat less humour. The violence is a little more intense too and occasionally sadistic but not overly graphic.

The conspicuous fight scenes, as was the case in the first outing, remain remarkably polished and exceptionally well choreographed.

Especially when you consider the large scale and numbers of people involved in many of the battles scenes scattered throughout the film.

The key fight scenes between central hero's and villains are of the highest caliber and its these moments of stirring swordplay and martial skill that make this film really shine.

Combine this with solid, original storytelling, good pace and some novel plot twists and turns and you have a very engaging action flick.

I watched both this film and its predecessor from end to end without getting up once or feeling in any way bored. There are subtitles, unless, of course, you speak Japanese but I found this film, like the first, so engrossing they hardly felt like any effort at all.

Nine of of ten from me. YJLcool 20 November However, his past soon comes back to haunt him. The sequel picks up where the original left off and the story continued with the Kyoto Arc adaptation, the series' best story arc.

This time, stakes are higher as Japan is facing a larger threat imposed by Kenshin's evil successor, Makoto Shishio and Kenshin struggles to stop this impending threat to the newly established Meiji government he helped to restore.

Finally, fans get to see their beloved characters brought to life on the big screen again. He is joined by his the Juppongatana Ten Swords , a group of highly skilled, elite assassins and a huge army of warriors under his command to destroy everything that stands in his way.

On the other hand, Kenshin is joined by many new allies, The Oniwabanshu Hidden Watcher ninjas , a surviving remnant of the old Shogunate's spy network in Kyoto and Saito Hajime, the current chief of police of the Meiji government who was the former Shinsengumi head military police protecting the Shogunate.

The film benefits from the strong performances from the lead characters. Takeru Sato did a great job portraying as the reluctant and conflicted hero Kenshin, who's unwillingness to kill is constantly challenged by his desire to protect the innocent at the same time.

The same could be said for Tatsuya Fujiwara as the main antagonist Shishio, who managed to create a frightful and imposing presence every time he appears on screen.

The goals for the characters were clear from the beginning of the film. Yosuke Eguchi and Ryunosuke Kamiki both stand out as the icy cool chief of police Hajime Saito and cheerful young assassin Soujiro Seta who's also one of the Juppongatana members respectively.

However, I was quite particularly annoyed by Munetaka Aoki's over-the-top performance as Sanosuke. His character was not well-handled and there was a lot of forced acting and unnecessary movements whenever he appears on screen.

Despite the numerous deviations from the source material especially with the origin of the Oniwabanshu leader Aoshi , there's a lot attention to detail went into this movie.

The character designs used for the film were as close to the source material as it could possibly be. Moreover, what's really surprising is that the details of etiquette and mannerism of samurai or ninja was taken quite seriously in the film, which makes it feels like a Japanese period piece.

The film is filled with intensely well-choreographed, well-filmed sword-fighting scenes. Many of the action scenes were tightly choreographed and the fast paced sword fights were performed with some rather inventive moves.

The fight scene as Kenshin swiftly takes down Shishio's army from all directions in a village was truly a sight to behold.

Moreover, the fight between the Oniwabanshu ninja leaders Aoshi Captain and Okina Elder makes for a great action sequence as well. As an adaptation, it is understood that it is necessary to pay homage to many of the well-known characters in the series for the fans.

This results in a lot of characters are introduced in this sequel and some of them are less developed due to the limited screen time. Although the film did well in showing Kenshin's past struggles and Shishio's dark past, the subplot of the Oniwabanshu members, especially Misao and Aoshi doesn't fit in nicely to the story.

Aoshi's motivations for searching and killing Battosai was unconvincing and feels downright flat.

The presence of the Juppongatana Ten Swords was weak as other members hardly get any screen time at all except Soujiro Seta and Cho of course.

Hopefully we'll be able to see more of these characters in The Legend Ends, the last film in the trilogy.

Overall, Kyoto Inferno sets the pieces for the final epic showdown between Shishio with his Juppongatana and Kenshin with his allies.

A lot of things are being pushed off for The Legend Ends and doesn't actually conclude by the end of this film, so it's rather difficult to judge this film on its own.

We'll just have to wait and see. I am long time fan of Rurouni Kenshin and I love the 1st movie. The right usage of CGI mixed with practical martial arts and sword fighting techniques.

Too many characters are introduced without giving enough time for development. You will totally get lost if you haven't known the original story.

The pacing is a little bit awkward. Fight scenes seem less creative compared to the first movie. Kenshin didn't wear his trademark red shirt the whole movie.

OmegaWolf 15 January If the first live action film was a jam session, this one is the symphony. This is the one with the high production values and a much more epic feel than the first one.

It opens with a spectacular view of Shishio standing in what could be the pit of Hell and taunting Saitou by dangling his subordinates from ropes over the flames, threatening to drop them in if Saitou doesn't join him.

The first part that really stood out for me were the Shingetsu Village scene. The village was a desolate ruin and the image of the two people hanged from the large tree is chilling.

The little boy who acted as Mishima Eiji did a great job portraying Eiji's grief at the brutal murder of his family. The part where Kenshin tells Eiji that he shouldn't kill his parents' murderers was handled sensitively and made my eyes well up a bit.

The other great part was Kenshin's battle with Sword Hunter Chou in order to save the life of baby Iori. Funimation also gave the film a TV-MA rating.

The film received positive reviews from critics, with widespread praise regarding the film's action direction and fight choreography conducted by Kenji Tanigaki.

Christopher O'Keeffe of TwitchFilm declared that the film "Delivers grand thrills" and "Satisfies with its mix of character drama and sword fights as it leads up to an intense battle on the streets of ancient Kyoto.

By the time the sea-set finale roles around, everything is left in balance for what promises to be an epic ending to this thrilling tale. Despite being the first part of a two-part sequel, it manages to be a self-sufficient, coherent story — not an easy feat for a two-part sequel.

Especially compared to the current comic book movies from the west recently. When the prerequisite sword fights and various punch-ups do show up, they are pitch-perfect live action extrapolations of the hand-drawn scenes that have enthralled fans for the past fifteen years.

Kyoto Inferno does an apt job of establishing Shishio and his minions as a force to be reckoned with, a legitimate threat to the vulnerable Japanese society that is still struggling to transition into the Westernized values of the new government.

From Wikipedia, the free encyclopedia. Redirected from Kyoto Inferno. Rurouni Kenshin: Kyoto Inferno Japanese theatrical poster.

The Japan Times. August 6, Retrieved July 18, Deadline Hollywood. Archived from the original on January 13, Retrieved September 10, Anime News Network.

November 9, Retrieved November 10,

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